Skip to main content

Alphabet of Wit by Voltaire



This was a hit. I have earned a reputation in my family that I pick up the most ancient and abstruse work available (Dante’s Inferno for instance, or Silas Marner). Unsurprisingly for me – and surprisingly for those who haven’t read anything about or by Voltaire or Dante – their work is far more liberating than most present day writings. And they managed in far fewer pages too. Alphabet of Wit is 62 pages long – blank pages included. It is a collection of very short essays by Voltaire on various topics ranging from Adam to Zeal, and oh, the topics are listed alphabetically. Voltaire’s outlook is refreshingly practical, considering his generation. Even considering our own, actually.

Also, his sense of wry humour – at first a bit stodgy – is very appealing, once you get used to it. Since the essays are short, it is easy to stick it out for pages and get acquainted to his style of writing. Though admittedly, it is a short book and it is hard to say if the style could have survived an entire novella-length. And besides, I did face a bit of a trouble reading it on the bus while on my way to work – there were consecutive pieces on Impotence, Incubi and Kissing (the page between Incubi and Kissing was separated by a paragraph on Justice).

You can’t go about the booklet, looking for entertainment or too much of insight. You just get to know a bit of how Voltaire was (he was pretty cool, it turns out) and take away a few meaningful learnings such as…

“The most moderate, the least worrisome, the most keenly perceptive is the most happy; but unfortunately the most keenly perceptive is often the least moderate. It is not our position, but our disposition which renders us happy. Our disposition depends upon the functioning of our organs, over which we have no control.”

Comments

Popular posts from this blog

The Long and Short of It

Call it stuffy, but there'a a charm about long-winded sentences.  People my age - and by that I mean the early-to-mid thirties - have had a disgusting time with school texts, which were expressly chosen for their remarkable abstruseness. Most of us were put off with the language, given the  endless probing into seemingly harmless pieces of text and losing marks to our seemingly erroneous interpretations (at this age, I am told that I am never wrong, I can decipher things the way I want; evidently an adult's imagination holds more value than a teenager's). Abstruse works were seldom long-winded, but vice-versa always held true, and does so - to some extent - even now. Excerpts from classics (I remember Shakespeare's pieces - abridged, they said but that didn't make a spot of difference at that age) lacked any modern adherence to placements and abounded in queer, archaic phrases jumbled in a sentence spanning three lines; we were taught conjunctions like '...

The Fatal Englishman - Three Short Lives by Sebastian Faulks

Image courtesy: amazon.co.uk Genre: Biography Rating: 4/5 There is something romantic about the English way of living; it has perhaps become more so now. Even the English themselves no longer stay the same way as during the wide span of time of Sebastian Faulks' work. It certainly wasn't romantic back then. The English have had their share of the good and the bad; they have been hated and revered. And through all of this, like in every other civilisation, the society and its principles have ruled the overarching impression we have created of and about them. But really, we are all humans; how different can we be after all ? Not much it seems.  The Fatal Englishman  is set over seven odd decades, and chronicles the prodigy (in more ways , referring to things beyond just talent) of three remarkable British citizens. The common tie is the fact that they all died terribly young, barely having touched the thirties. They all hailed from different aspects of life - C...

Does the thickness of books scare you ?

I swear I'm  not  being diplomatic about this, but the answer to that is 'It Depends.  Smiley versus Karla  trilogy   had me in raptures; I nearly cried (with misery) when I got sent the original version of  David Copperfield . Both were bricks; and much as I love Dickens, there is something daunting about a thickset copy with font 8 on a Times New Roman (or something similar). Thick books (strictly excluding text books) are usually fun. Look at  A Suitable Boy ; I bought it five years back and I'm still ploughing through. I haven't had the time to finish it or get bored of it (but then I'm a serial book-shifter*). And then there is  The Old Man and the Sea ; it is a pamphlet of a book, and I haven't (or rather couldn't) finished that either. So  it depends  on the content of the writing. I'm not saying family sagas are more fun or intellectually more stimulating than, well, an old man fishing in the sea, but somehow, the lac...