Skip to main content

The Hiatus and the Inspiration


I am back from a most refreshing trip (Italy and Switzerland!!!). Actually, I've been back some time now and it took me this long to find my feet back into the mundane (ugh) life that I lead. If that sounds grumpy, its at least better than how I feel. No wonder travelling is touted as one of the best ways to gain perspective and general well-being. 

I daresay, my reading has aligned itself with my travels. I've always had a weakness for European literature (by which I mean predominantly British, though). And Italy - being the living, breathing image of all things romantic and chivalrous I had imagined, has turned my attention towards works that have so far been in the realm of reverence and oh-I-am-too-stupid-to grasp-all-that category. 

The one thing  have never really got a hang of, is poetry. At school, it used to be difficult for me; prose I found easier to read between the lines, but not poetry. I have in fact, always, attacked poetry with the intention of digging out deep undercurrents that would undoubtedly be beyond my grasp. Rome brought me to the Spanish Steps at the Piazza di Spagna, and at its corner, a discrete, unobtrusive building, with a very humble banner proclaiming it to be the 'Keats-Shelly House'. We stepped in from the bustling humdrum of the Piazza into the white building, climbing up stairs (Italy is full of stairs, to my utmost horror) into the dwelling where Keats had breathed his last. There were massive bookshelves with book-spines neatly arranged, and other memorabilia associated with the great English Romantic poets - Lord Byron, Percy Shelley and John Keats. I am ashamed to admit that I have read none. What grasped my interest, were the stray letters these young geniuses had written to their friends and family. John Keats' meagre bedroom, overlooking the centre of the Piazza moved me deeply. It wasn't a stretch to imagine the young English poet, sitting at his desk, mulling over lines as the dying rays of the sun illuminated the little fountain in the square, as people milled around, oblivious of the masterpiece being unfolded a few storeys above them. 

The second stab of inspiration came from our visit to the Chillon Castle in Montreaux. Lord Byron, as it turns out, was pretty much obsessed by Bonivard, who was imprisoned in the castle for years. He wrote imaginatively of the prisoner and the circumstances (the fellow himself doesn't sound like much, but I could be just ignorant). Given the popularity of his works in this part of Switzerland, Castle Chillon had massive rooms dedicated to Lord Byron's life and his works. Not only was that fascinating enough to read, there were some magnificent paintings of both Byron and illustrations of his work. I picked a special interest in Manfred after marvelling at the dramatic impact of a painting by Madox Brown.

The last instance came at the sleepy town of Fiesch - sleepy as it wasn't the tourist season then, to the extent that there were just two rooms (including ours) occupied in the hotel we stayed at. We had had nothing to do the whole day, which was actually a relief, given that we had expended considerable energy going up Gornegrat to see the Matterhorn in the morning. So we just curled up under the sheets, listening to the cow bells tinkling and eyeing the snow-dusted peaks - one of the loveliest sights to look at for plains-folk through the curtains of the windows. Nightfall came not before 9:30 p.m. (by which time everything is pretty pitch-black back at my place) and the sleepiness of the town intensified. There were bright streetlights, illuminating empty stretches of roads. A car passed once in half an hour. The cows still grazed - they must have, because we could still here their bells. And over the dark, pine-forested mountains, rose the whitish-silver disc of the full moon, faintly lighting up the top of the nearby mountains. The snow-capped peaks glistened with the dullness of unpolished silver. All I could think of was Winds of War by Herman Wouk. The setting was so very European, so very alien, I couldn't help myself but start reading on my Kindle. 

So yes, my reading is all over the place now, and is being dominated by Winds of War and Manfred (the latter is turning out to be spectacular, and the first time I am actually enjoying reading poetry). And yes, I shall be putting up all my findings and feelings on my reading materials in abstract posts. Be prepared. I believe, my blog is soon going to turn into a personal listening board. Oh what the hell, how often does one get inspired like this ?!

Comments

Popular posts from this blog

The Long and Short of It

Call it stuffy, but there'a a charm about long-winded sentences.  People my age - and by that I mean the early-to-mid thirties - have had a disgusting time with school texts, which were expressly chosen for their remarkable abstruseness. Most of us were put off with the language, given the  endless probing into seemingly harmless pieces of text and losing marks to our seemingly erroneous interpretations (at this age, I am told that I am never wrong, I can decipher things the way I want; evidently an adult's imagination holds more value than a teenager's). Abstruse works were seldom long-winded, but vice-versa always held true, and does so - to some extent - even now. Excerpts from classics (I remember Shakespeare's pieces - abridged, they said but that didn't make a spot of difference at that age) lacked any modern adherence to placements and abounded in queer, archaic phrases jumbled in a sentence spanning three lines; we were taught conjunctions like '...

The Fatal Englishman - Three Short Lives by Sebastian Faulks

Image courtesy: amazon.co.uk Genre: Biography Rating: 4/5 There is something romantic about the English way of living; it has perhaps become more so now. Even the English themselves no longer stay the same way as during the wide span of time of Sebastian Faulks' work. It certainly wasn't romantic back then. The English have had their share of the good and the bad; they have been hated and revered. And through all of this, like in every other civilisation, the society and its principles have ruled the overarching impression we have created of and about them. But really, we are all humans; how different can we be after all ? Not much it seems.  The Fatal Englishman  is set over seven odd decades, and chronicles the prodigy (in more ways , referring to things beyond just talent) of three remarkable British citizens. The common tie is the fact that they all died terribly young, barely having touched the thirties. They all hailed from different aspects of life - C...

Does the thickness of books scare you ?

I swear I'm  not  being diplomatic about this, but the answer to that is 'It Depends.  Smiley versus Karla  trilogy   had me in raptures; I nearly cried (with misery) when I got sent the original version of  David Copperfield . Both were bricks; and much as I love Dickens, there is something daunting about a thickset copy with font 8 on a Times New Roman (or something similar). Thick books (strictly excluding text books) are usually fun. Look at  A Suitable Boy ; I bought it five years back and I'm still ploughing through. I haven't had the time to finish it or get bored of it (but then I'm a serial book-shifter*). And then there is  The Old Man and the Sea ; it is a pamphlet of a book, and I haven't (or rather couldn't) finished that either. So  it depends  on the content of the writing. I'm not saying family sagas are more fun or intellectually more stimulating than, well, an old man fishing in the sea, but somehow, the lac...